MERETRICIOUS

corvidae:

Angelika J. Trojnarski - Rot
 Oil, papertape on canvas, 2011

corvidae:

Angelika J. Trojnarski - Rot

 Oil, papertape on canvas, 2011

arsvitaest:

“Tidying up” 
Author: Isabel Bishop (American, 1902–1988)Date: 1941Medium: Oil on MasoniteLocation: Indianapolis Museum of ArtIsabel Bishop was a painter and graphic artist. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. She was widely exhibited in her lifetime, and was recognized with a number of awards including one for Outstanding Achievement in the Arts. (adapted from Wikipedia)In Tidying up, a woman, perhaps a secretary or sales person, uses a pocket mirror to check her teeth for lipstick smudges.Bishop saw working women as participants in an American tradition of upward mobility and used active brushwork and the figure’s physical movement to express this social advancement. (source)

arsvitaest:

Tidying up”

Author: Isabel Bishop (American, 1902–1988)
Date: 1941
Medium: Oil on Masonite
Location: Indianapolis Museum of Art

Isabel Bishop was a painter and graphic artist. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. She was widely exhibited in her lifetime, and was recognized with a number of awards including one for Outstanding Achievement in the Arts. (adapted from Wikipedia)

In Tidying up, a woman, perhaps a secretary or sales person, uses a pocket mirror to check her teeth for lipstick smudges.

Bishop saw working women as participants in an American tradition of upward mobility and used active brushwork and the figure’s physical movement to express this social advancement. (source)

hijaktaffairs:

tom prochaska
oregon, 2013
oil on canvas, 54 x 72”
froelick gallery, portland 
april 30 - june 1, 2013
paintasyoulike:

hijaktaffairs:

tom prochaska

oregon, 2013

oil on canvas, 54 x 72”

froelick gallery, portland

april 30 - june 1, 2013

paintasyoulike:

hijaktaffairs:

tom prochaska
maybe not, 2013
paper mache, 14 x 8 x 8”
froelick gallery, portland 
april 30 - june 1, 2013

hijaktaffairs:

tom prochaska

maybe not, 2013

paper mache, 14 x 8 x 8”

froelick gallery, portland

april 30 - june 1, 2013

edwardkinsellaillustration:

Rough Drawing for “Dark Lord”.
Edward Kinsella III

edwardkinsellaillustration:

Rough Drawing for “Dark Lord”.

Edward Kinsella III

sangram majumdar - in dreams
oil on linen, 2012.

sangram majumdar - in dreams

oil on linen, 2012.

sangram majumdar - paper, repositioned
oil on paper on panel, 2012.

sangram majumdar - paper, repositioned

oil on paper on panel, 2012.

missbirdsong:

Untitled (figure) by Leonard Baskin on Flickr.

My partner purchased this Leonard Baskin print today. It now hangs just to the left of our bed. I look forward to waking up to it everyday.

missbirdsong:

Untitled (figure) by Leonard Baskin on Flickr.

My partner purchased this Leonard Baskin print today. It now hangs just to the left of our bed. I look forward to waking up to it everyday.

Charles Avery - Untitled (Dancers outside the MoA, Onomatopoeia)
Pencil, ink, acrylic and gouache on paper 83.5 x 114 cm, 2012.

Charles Avery - Untitled (Dancers outside the MoA, Onomatopoeia)

Pencil, ink, acrylic and gouache on paper 83.5 x 114 cm, 2012.

Charles Avery - Two Girls Relaxing in the Jadindagadendar
Pencil, ink, and acrylic on paper 57 x 84 cm, 2012.

Charles Avery - Two Girls Relaxing in the Jadindagadendar

Pencil, ink, and acrylic on paper 57 x 84 cm, 2012.